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Glas Ra Books

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The Genet column discusses his autobiographical writings, where one of the issues is Genet's very name—it is not that of his father, but of his mother, who abandoned him shortly after birth.

Glas is described as experimental and obscure. According to Jane Marie Todd, Glas is a study of literary genre , and its seeming defiance of genre "allows this curious and challenging text [to offer] a direct contribution to literary theory: in both form and subject matter, it details a new way of viewing genre definitions.

It is clear that his reading of Joyce's text haunts the way in which Derrida has constructed his exploration of Hegel and Genet by positioning separate and discrete textual columns next to each other so that it is necessary to read intertextually and follow the ways in which the textual play operates across and between the margins or borders of the page s and space s separating the columns.

John Sturrock, reviewing the English translation of Glas for The New York Times , commented that "as a piece of writing it has no known genre".

In his estimation reading the book is "a scandalously random experience" given the problem of how to read the two printed columns—consecutively or alternately from section to section.

Though it is an "exuberantly clever, punning text", it "asks too much of one's patience and intelligence; our defense against a text declaring itself to be unreadable may be to call its author's bluff and simply leave it unread.

Leavey Jr. Compellingly, Glas has often been cited as evidence that deconstruction might theorize hypertext or that hypertext might instantiate deconstruction.

Hillis Miller associated it with "the new multi-linear multimedia hypertext that is rapidly becoming the characteristic mode of expression both in culture and in the study of cultural forms".

Whereas Mark Taylor argues that "deconstruction theorizes writerly practices that anticipate hypertexts", Geoffrey Bennington advises that if writing had a privileged empirical form for Derrida, it would be the computer—yet on the other hand, "hypertexts can just as well be presented as a fulfillment of a metaphysical view of writing".

Gregory Ulmer argues that Derrida's writings "already reflect an internalization of the electronic media", and Mark Poster holds that "computer writing instantiates the play that deconstruction raises only as a corrective".

Both books are the product of radical textual montage, using elaborate cut-and-paste strategies that caused problems in getting into print; both were reissued in the s and hailed as influential for an entire generation: "Both were vigorously misrepresented by acolytes and detractors and unfairly associated with exclusively text-based approaches to contemporary media.

Luc Ferry and Alain Renaut referred to Glas as the "quintessence of the discourse of the 'sixties", though Ned Lukacher notes that this amounts to "a glib dismissal of Derrida's masterpiece" by restricting its scope and enclosing it as a naive text whose erasure is willed by the writing subject, whereas Lukacher maintains that "Derrida never contests that there is always a subject that decides; his point is rather that the decision never took place on the grounds the subject thought it did and that the decision has effects that the subject cannot account for.

From Wikipedia, the free encyclopedia. Glas Cover of the first edition. A student recalls fondly his bourgeois ways".

Los Angeles Times. Refresh and try again. Ira Glass Narrator ,. Adam Thirlwell Narrator ,. Dave Eggers Narrator. John Hodgman ,. Ricky Gervais Narrator ,.

Jonathan Coulton Music ,. Paul Rudd Narrator. Ira Glass Editor ,. Mark Bowden ,. Bill Buford ,. Malcolm Gladwell.

Lemony Snicket Goodreads Author ,. Seth Illustrations ,. Jon Scieszka Narrator ,. Terry Gross Narrator. Chris Ware Editor ,.

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